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A decorative plate with a pale blue ornate border and gold trim features a central design of purple grapes, green and purple leaves, and vines. The plate is set on a dark wooden surface with other fine china partially visible above it.
A large, round, off-white ceramic plate sits upside down on a dark wooden surface. The plate has a faint maker’s mark with black text near the center, and subtle wear marks. Edges of two other plates are partially visible at the top.
A decorative plate with a pale blue ornate border and gold trim features a central design of purple grapes, green and purple leaves, and vines. The plate is set on a dark wooden surface with other fine china partially visible above it.
A large, round, off-white ceramic plate sits upside down on a dark wooden surface. The plate has a faint maker’s mark with black text near the center, and subtle wear marks. Edges of two other plates are partially visible at the top.

TPCO Co Grape Dinner Plate

$40.00

Early to mid-20th-century grape motif dinner plate by Thomas Potteries Co., with lusterware trim.

• Time Period: Early to Mid-20th Century
• Origin: East Liverpool, Ohio, USA
• Maker/Brand: TPCO Co. (Thomas Potteries Company)
• Medium: Semi-vitreous ceramic
• Style: American Traditional Tableware / Lusterware
• Condition: Excellent
• Decoration: Grape cluster design with silver-blue luster rim

1 in stock

SKU: PLA-TPCOCOGR Category: Tags: ,
Description

This semi-vitreous dinner plate by Thomas Potteries Co. (TPCO Co.) blends early American ceramic durability with decorative appeal. Operating from 1892 to 1968 in East Liverpool, Ohio, the company specialized in practical yet attractive wares for everyday households.

The featured grape design is classic and familiar, echoing traditional fruit motifs, while the lusterware trim — achieved through a metallic oxide glaze — adds shimmer and sophistication. Semi-vitreous ware was a popular choice for tableware between porcelain and earthenware, known for its strength and affordability.

This piece reflects the convergence of beauty, accessibility, and history in early 20th-century American ceramics.

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